Hip Hop Your “Culture” On Out Of Here

The decline of the West has long been in the making and there are several “components” that have either directly attributed to it or are a key part in tearing down the foundation of Western society. One of them is no secret and that is “hip hop culture” or whatever else you desire to call this degenerate, violence-ridden “culture.”

In modern times I can think of nothing more damaging to the psyche of the average person’s mental state than that of the scourge of hip hop music/culture. It has festered itself everywhere and, as a student of psychology, I understand the implications of subliminal messaging and how it can impact the psyche of a person over a period of time. Look at your average “whigger” and realize that the person has been totally destroyed – their voice mimics black thuggery, their body language and posture is corrupted and unusual, and they have adopted a totally alien sub-culture as their identity. You don’t even need to be black to fall under its influence, as we have seen the dysfunctions in many whites that have embraced hip hop (or “gangster rap” lifestyles).

In fact, even major corporations embrace it (not out of a genuine appreciation for it or how it destroys traditional European culture), but simply because it’s a vessel that allows them to extract the most money they can through advertising and their brand. Embarrassing examples include Honda’s use of “You Be Killin Em” by Fabolous, Kool Keith, Mia X, Amil, Lady of Rage, and Bahamadia for Sprite’s “Five Deadly Women” Campaign, and Eminem for Chrysler. They’re all bad, cringey, and misplaced.

Hip hop has been so muddled beyond what R&B used to be that now some black rapper mumbling on a microphone, to some blaring over tuned bass beat, is considered “art” by the highest order. Recently, I’ve been taking a dive through music of old, outside of my normal country routine, to trace the beginnings of where this psychological influence started and no surprise it has been around for a long time, all starting, of course, with Hollywood and record labels that are owned overwhelmingly by a tribal minority (take a guess).

It’s no secret that the average black person’s ancestors were far better off before the deliberate invention of hip hop culture and the so called “civil rights” era. At one point, the black man had a reasonably responsible father in the home, an education, and an attitude of success. The black culture of the early 20th century did not look for a handout, generally speaking, because struggle makes strength, and the Negro was of stronger character in the past due to how they once had their own society that they were responsible for maintaining. Of course, the destruction of this relatively functional black culture was entirely necessary in order to debase them, so as to turn them into a demographic weapon which could be used for political purposes.

The damage inflicted by hip hop culture are highly degrading to a society writ large. All one needs to do is look at the lyrics themselves and suddenly things begin to make a lot more sense.  It’s ironically the same thing with a lot of the popular rock songs from the 1980s (if you bother to look at the lyrics behind what you might think is a catchy tune). Here’s a sampling of the lyrics from Cardi B’s song “WAP” – note, it debuted at number one on the Billboard Hot 100.

Whores in this house
There’s some whores in this house
There’s some whores in this house
There’s some whores in this house (Hol’ up)
I said certified freak, seven days a week
Wet ass pussy, make that pullout game weak, woo (ah)

Yeah, yeah, yeah, yeah
Yeah, you fuckin’ with some wet ass pussy
Bring a bucket and a mop for this wet ass pussy
Give me everything you got for this wet ass pussy

Beat it up, nigga, catch a charge
Extra large and extra hard
Put this pussy right in yo’ face
Swipe your nose like a credit card
Hop on top, I want a ride
I do a kegel while it’s inside
Spit in my mouth, look at my eyes
This pussy is wet, come take a dive

If the idea is to free your mind from the subliminal influence of propaganda then you must selectively screen and filter it out of every facet of your life because that is how subversion works – subtly in the background changing your psyche. Of course, those on the lower end of the Bell Curve are not able to understand such a concept because to them everything is about what “feels good” with their limited intelligence.

As a result, the black culture that was so carefully crafted has been intentionally destroyed and now we, as a whole, reap the consequences. That is why hip hop culture needed to be invented, because it falls in line with their plans to destroy both racial groups (whites and blacks). We do not need the blaring bass rattling the plastic trim on some financed Nissan Altima nor do we need the violence, the drugs, and the sexual deviancy that comes with all of it.

Remove hip hop from your life, ensure your children don’t listen to it, and turn it off (along with the television). Get that garbage out of your ears. You’ll thank us.

God bless you and God bless Dixie.

11 comments

  1. I’ve never been a huge fan of “Hot for Teacher”, but using that song’s lyrics as a comparison to the skanky black woman’s lyrics is a stretch.

    There really is no comparison. Same for virtually every rock and roll song ever made. There is no comparison to skankiness of rap and hip hop.

    1. I disagree, the message is all the same, it is just delivered in a form you find palatable. Subversion you like is still subversion because the net result is the same. I would implore you if I may to explore the comparison as you put it and see if the same things of sexuality, degeneracy, and other such themes can be observed. I promise you they can because I have done this myself hence this very article and some of the parallels drawn in it.

      1. You said to compare lyrics (I did), that they are basically the same. It is glaringly obvious this is untrue.

        I understand your point. I despise David Lee Roth simply because he wears the black hat and the things I learned of him since leaving VH. But, only barely is the message the same. And at least with Van Halen, one must mentally go there instead of having it spelled out like the black skank.

        You wrote, “It’s ironically the same thing with a lot of the popular rock songs from the 1980s”, then link to one Van halen song. I can think of no 80’s (or before) popular rock songs that tells us about wet ass pussy. If you can, link to it.

        1. Does Bon Jovi’s “Slippery When Wet” album count?

          I like VH, but hate David Lee Roth, too.

          1. Which song, or do we need to mentally think that the wet thing in the album title is a pussy? (This was my point about mentally going there when the skanks outright say it.)

            Name the song and quote the skank lyrics found in that album. I quickly looked thru the lyrics of the first half of the album and its not there. Its not worth the effort to disprove what I know you won’t find.

            The red rocker was an improvement, imo.

          2. You’re being literal and that is your problem. Again, I talk about the “message” or “theme” of the song but you are being obtuse saying “show me where they said pussy!” I get your emotional attachment to the subject at hand but don’t pretend for a damn moment songs put out by bands like guns n roses, aerosmith, van halen, etc, etc, etc, don’t have subliminal themes of sex and drugs.

            Don’t piss down my leg and tell me it’s rain.

          3. Of course it was subliminal, but the hip hop is literal. That is my point.

            Show me an old R&R song with lyrics that are the same skank. You can’t.

            Where your mind goes is your business.

  2. While true, I must always point out that it does no good to just remove it, you must offer an alternative that is prevalent enough to take its place. You can’t say turn off the TV without at the same time providing them something of approximate shape and size to fill that void. You are just wasting your breath otherwise, people will always choose garbage over nothing and we offer nothing. Build it, make money, use profits from it to fund our independence would be my advice.

    Creating voids in people’s lives not only does no good, its actually counter productive as they will subconsciously associate you and your message with existential loss. Its far better to offer them the next cultural revolution than ripping out a major component in their life and leaving nothing behind but a gaping hole. Framing and messaging are crucial when trying to get a normie to change ingrained behaviors. You need a carrot to go along with that stick.

    1. Yes, a very valid point. So then we need to take a look back to when being a Southerner was considered cool. How do we capture that spirit again, how do we make it mainstream? The logical answer is to create the content to fill these voids you’ve pointed out and that requires that Southern Nationalists and Traditionalists alike create what we once did, that which was taken by the left for the purpose of destabilizing and that is art. We must learn and master again the art of story telling through culture because those who tell the stories control society.

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